| Week |
Date (Mon.) |
Monday Screening |
Reading |
Tuesday |
Thursday |
| 0 |
8/29 |
|
|
|
Intro to Class:
Why Film Studies? |
| 1 |
9/5 |
'Robot Monster' |
Borwell/Thompson
ch. 2 & ch.
3
(up to p. 78 only!) |
Conventions & Narrative |
Conventions & Narrative |
| 2 |
9/12 |
'Auch Zwerge Haben Klein
Angefangen' |
Gianetti:
Photography |
Composition |
Composition |
| 3 |
9/19 |
'Tout Va Bien' |
Gianetti:
Editing |
Editing |
Editing |
| 4 |
9/26 |
Experimental Films
(long program) |
Borwell/Thompson
ch. 6 |
Mise En Scene |
Mise En Scene |
| 5 |
10/3 |
'The Player' |
Borwell/Thompson
ch. 9 |
Sound |
Combined Analysis |
| 6 |
10/10 |
'Citizen Kane' |
Bordwell
Borwell/Thompson
ch. 3, pp. 78-89
|
Citizen Kane |
NO CLASS
Fall Break
|
| 7 |
10/17 |
'The Thing'
'My Darling Clementine' |
Wollen |
Auteurs
Presentations |
Auteurs
Further Discussion |
| 8 |
10/24 |
'The Wild Bunch' |
Prince
McKinney
|
Violence, Film, Society:
Presentations |
Violence, Film, Society:
Further Discussion |
| 9 |
10/31 |
'Force of Evil'
'Double Indemnity' |
Shrader
Harvey
Place
|
Film Noir
Presentations |
Film Noir
Further Discussion |
| 10 |
11/7 |
Lecture: Ideology
'Alien' |
Byers
Newton
|
Ideology & Content
Presentations |
Ideology & Content
Further Discussion |
| 11 |
11/14 |
'The Godfather, part
2'
(3 hrs., 20 minutes - fyi)) |
Hess
Biskind
|
Ideology & Form
Presentations |
Ideology & Form:
Further Discussion |
| 12 |
11/21 |
'Vertigo |
read Mulvey
after Tues. lecture |
Lecture:
Laura Mulvey |
THANKSGIVING |
| 13 |
11/28 |
'Gentlemen Prefer Blondes' |
Turim
Arbuthnot/Seneca
|
Feminist Analysis
Presentations |
Feminist Analysis
Further Discussion |
| 14 |
12/5 |
'The Texas Chainsaw
Massacre'
'Dressed to Kill' |
Williams
Wood
|
American Demons:
Presentations |
American Demons:
Further Discussion |
| 15 |
12/12 |
Lecture: Postmodernism |
NONE |
PoMo:
Discussion |
|